A fur in sculpture is a difficult topic that requires an artist's individual approach and idea. Of course, it can be treated in different ways, more sketchy or precisely. In each of these cases, it should contribute something more to the sculpture than just decorativeness. It can be an interesting interpretation on the subject, enriching the sculpture with additional values. It is important that such decisions are made consciously and for the benefit of the sculpture. Of course, not only knowledge and experience, but also intuition, not to mention talent, have a huge impact on the accuracy of these decisions. For me personally, it does not matter whether I treat the hair more conventionally or precisely, it is important that it emphasizes the character of the sculpture and creates a coherent whole with it.

Many people ask me: what is your inspiration in your work? I answer: in general, literally everything inspires me. Sometimes they are other artists, and sometimes some paintings or situations. It is difficult to answer clearly why a given project is being created. Simply - like every artist, I have a need to create, that's why I permanently sculpt every day. Ideas come to my mind. Before I finish the project I'm working on, I already have some ideas for something new... and so on forever. Unfortunately, the day is short, so I often work at night, when monsters wake up.